2016 |
Ph.D. Philosophy, Interpretation, and Culture, Binghamton University, USA |
2008 |
M.A. Film and Television Studies, Istanbul Bilgi University, Turkey |
2001 |
B.A. English Language and Literature, Istanbul University, Turkey |
[6] | Weakened Nationalism and Thickened Time: Interrogating the position of Kurdish cinema within European cinema discussions (Cicek, Ozgur), Chapter in Routledge Companion to European Cinema (Hayward, Susan; Gergely, Gabor, eds.), 2022. |
[5] | Turning undocumented memories into films: Kurdish documentary filmmaking and archive formation (Cicek, Ozgur), Chapter in Documentary Cultures in Turkey (Kocer, Suncem; Candan, Can, eds.), Expected publication date 2019, 2019. |
[4] | Kürt Sinemasında Türler Arasındaki Geçisgenlik: Kurmaca ve Belgeselin Mu\u glakla\c san Sınırları [The trans-genre nature of Kurdish cinema: The obscure boundaries of fiction and documentary] (Cicek, Ozgur), Chapter in Kürt Sineması: Yurtsuzluk, Ölüm ve Sınır [Kurdish Cinema: Statelessness, Death, and the Boundary] (Arslan, Mizgin Müjde, ed.), Agora Publishing, 2017. |
[3] | The Fictive Archive: Kurdish Filmmaking in Turkey (Cicek, Ozgur), Chapter in Kurdish Documentary Cinema in Turkey: The Politics and Aesthetics of Identity and Resistance (Kocer, Suncem; Candan, Can, eds.), Cambridge Scholars Publishing, 2016. |
[2] | The Old and New Ways of Kurdish Filmmaking in Turkey: Potentials and Risks (Cicek, Ozgur), Chapter in New Cinema, New Media: Reinventing Turkish Cinema (Akser, Murak; Bayraktar, Deniz, eds.), Cambridge Scholars Publishing, 2014. |
[1] | Zaman ve Mekanda Tersine Yolculuk: Yusuf'un Yattıgı Yer [A Reverse Journey in Time and Space: Semih Kaplanoglu's Cinema] (Cicek, Ozgur and Cicek-Unal, Ozlem), Chapter in Ve Sinema [And Cinema] (Yasarturk, Gul, ed.), Doruk Publishing, 2013. |
[5] | Untimely Affects: Gilles Deleuze and An Ethics of Cinema, Edinburgh University Press (Boljkovic, Nadine), in Film Philosophy, volume 21, number 2, 2016. |
[4] | Small Screen Aesthetics: From Television to the Internet, British Film Institute, 2013 (Creber, Glenn), in New Review of Film and Television Studies, volume 12, issue 3, 2014. |
[3] | Deleuze & Cinema: The Film Concepts, British Film Institute, 2013 (Berg, 2011), in Historical Journal of Film, Radio and Television, volume 33, issue 3, 2013. |
[2] | Cinema in Turkey: A New Critical History, Oxford University Press, 2010 (Arslan, Savaş), in Historical Journal of Film, Radio and Television, volume 32, issue 1, 2012 [soc index]. |
[1] | Rights, Promotion and Integration Issues of Minority Languages in Europe, Palgrave Macmillan UK, 2009 (Pertot, Susanna et aļ), in Political Studies Review, volume 10, issue 1, 2012 [soc index]. |
[4] | Kürt Sinemasını Tanımlamak” [Defining Kurdish Cinema], in Kürt Tarihi [Kurdish History] Istanbul, Issue 40, 2020. |
[3] | Chimamanda Ngozi Adichie ile tek hikayenin tehlikesi” [The Danger of the Single Story through Chimamanda Ngozi Adichie], in ONS Number III, Istanbul, Fall-Winter 2018, 2018. |
[2] | Ölümünün 200. yılında Jane Austen: Edebiyatı Endüstriye Dönüştüren Dahi yada Hain Kadın. [Jane Austen in her 200th Death Anniversary: The woman who turned Literature into an Industry], in Sabit Fikir, 2017. |
[1] | Bir Şarkı Arıyorum: Zer. [I’m looking for a Song: Zer], in Altyazı Cinema Journal, 2017. |
[10] | Kurdish cinema in Turkey: Theorizing a cinema of imprisonment (Cicek, Ozgur), In Mecetes European Screens Conference, University of York, UK., 2016. |
[9] | The Fictive Archive: Documenting Hidden Histories and Unrepresented Daily Lives through Kurdish Cinema (Cicek, Ozgur), In The Time of Performance: Embodiment and Archives of (Un)Belonging in Turkey Panel- June 2016, Columbia University Global Center, Istanbul, 2016. |
[8] | A Cinema of Resistance: Kurdish Filmmaking in Turkey, In SCMS (Society of Cinema and Media Studies) Conference - March 2014, Seattle, USA, 2014. |
[7] | Epistemic Friction: When Kurdish cinema meets its audience (Cicek, Ozgur), In 15th New Directions in Turkish Film Studies Conference: Cinema and the Audience - May 2014, Kadir Has University, Istanbul, 2014. |
[6] | From Prison Literature to a Cinema of Imprisonment (Cicek, Ozgur), In Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities International Conference – May 2013, University of Manchester – UK, 2013. |
[5] | Historicizing National Cinema in Turkey through Yılmaz Güney (Cicek, Ozgur), In Topographies of Turkish Cinema: Hybrids, Hyphens and Borders Conference - April 2011, Izmir University of Economics, Izmir-Turkey, 2011. |
[4] | The Turkish Science Fiction Genre in Post Coup d'état Era: Fantasy vs. Science Fiction in The Man Who Saves the World (1982) (Cicek, Ozgur), In ACLA (American Comparative Literature Association) Conference - March 2009, Harvard University, USA, 2009. |
[3] | The Conflicting Self and Other in Bollywood (Cicek, Ozgur), In SCMS (Society of Cinema and Media Studies) Conference - March 2008, Philadelphia, USA., 2008. |
[2] | The Conflict of Otherness in Contemporary Indian Cinema (Cicek, Ozgur), In Disunited Nations Conference -April 2007, University of Birmingham, England, 2007. |
[1] | The Colonial Scar in Bollywood (Cicek, Ozgur), In Crossroads Cultural Studies Conference – June 2006, Bilgi University, Istanbul, 2006. |